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Offending the Audience (1966)

Libération : 1966-09-27
Genre :
Runtime :
Page d'accueil :
Entreprise :
Jeter : Michael Gruner, Ulrich Haß, Claus-Dieter Reents, Rüdiger Vogler

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Offending the Audience Wikipedia Offending the Audience falls under the style of epic theater as established by dramatist Bertolt Brecht A major characteristic of epic theater is alienation which is used to prevent the audience from becoming emotionally involved and distracted from the underlying issue of the play In this particular case Offending an Audience Excelsior College OWL Offending an Audience This means you have to consider what language will work for your audience what kind of evidence will be persuasive and how you can present that evidence in the most convincing manner possible If you offend your audience your audience members won’t listen to what you have to say Offending the Audience ysis Dramatic Devices As a “speakin” Offending the Audience deliberately undercuts or omits the traditional devices of drama Scenery props lights story fictional characters and action are not factors The normal devices of poeticdramatic language are undercut or omitted too Peter Handke wants no metaphors ogies Offending the Audience work by Handke …first important drama Publikumsbeschimpfung 1966 Offending the Audience in which four actors yze the nature of theatre for an hour and then alternately insult the audience and praise its “performance” a strategy that arouses varied reactions from the crowd Several more plays lacking conventional plot dialogue Offending the Audience University of Pennsylvania Offending the Audience We are asked to abandon every expectation to be the subject of the actors gaze the way that they are usually the subject of ours There is nothing offensive in what is represented on the stage the offense of the title is that nothing at all is represented Offending the Audience – The Flea Theater Offending the Audience At the top of Offending the Audience a group of actors take the stage and announce that there will be no play They are not characters The stage does not represent another place Time passes as it does in real life There is no illusion The audience is asked to abandon every expectation “Offending the Audience” What the hell is this play “Offending the Audience” by Austrian Peter Handke is sometimes called an “antiplay” because of its renouncements of theatricality From Wikipedia In “Offending the Audience” there is no plot No story is being told at all Offending the Audience Art Blart They no longer respect the division between actoractress and spectator exaggerated in Peter Handke’s Publikumsbeschimpfung 1966 Offending the Audience or in Hans Werner Henze’s oratory Floß der Medusa The raft of the Medusa in which he criticises “the authority of humans over humans” For its premiere with the NDR radio Offending the Audience Performing Arts Review Chicago Offending the Audience is an ensemble piece essentially a monologue for ten voices which makes it difficult to single out any one performance from the troupes uniformly superlative ones Offending the Audience Review Theater The New York Times Offending the Audience Around 20 wellgroomed performers periodically stand up and sit down shake their hips alluringly or speak their lines — a collection of assertions about what this play isn’t no slice of life no documentary no story and on and on — in a variety of funny frequently loud voices